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Doublers for Video Cameras

Surprisingly enough, a lot allegedly experienced investigators that have applied with us didn't know what a doubler was when asked about their equipment.  A very basic piece of equipment that every surveillance investigator should be familiar with. 

November 1997

From: JW

To: Field Investigators

Re: Camera Doublers
 

Another of Ron's excellent articles that we use for training tips;

----------------------------------------------------------------------------------------------------------------------

There are several problems with doublers, once overcome, they can be very handy.

A moderately priced 2X will eat up nearly four times the light than the normal camera when fully zoomed out. The light you need for quality images increases as you zoom in. 4X eats nearly eight times the light and 6X eats up nearly twelve times the light. Without some light reflecting through the lens, there is no image to record. The longer the lens, even "doublers," the more light consumed. Zoom in magnification, consumes more light than a straight lens. Fine lenses are expensive because they eat up less light. Many popular "doublers" are 1.2X or 1.4X. The light disadvantage is just past peak performance and they are useful at twilight time.

Another significant concern, is to make sure the lens does not weigh ANY more than the lens it replaces. This even holds true for the old dinosaur camcorders. Just a few extra grams places drag on the miniature specifically engineered auto-focus motors. The more the "doubler" weighs, the faster it will overheat, burn out, and lock up the autofocus. This problem is exacerbated when the "doubler" is made with quality glass. Fine crystal has lead in it. Plastic lenses scratch easy and have modest optical quality.

Learn to use the features on your camcorder manually. It makes the weight problem irrelevant if you focus manually. Autofocus is painful if the camera chases the focus with a moving subject. Client's do not like to pay for blurs and excuses. The longer the lens, under questionable light conditions, the closer you get to the subject, with or without the "doubler," because you must zoom out until you have enough light getting through the lens to capture an image. If you are shooting at high noon at the beach, no problem.

With "doublers" it is absolutely essential you stabilize the camera -- mini pod, bi-pod, tri-pod, or a bean bag, lamp post, and a nylon strap with velcro strips. Any electronic stabilization features within the camcorder will be irrelevant, because you are not supposed to use them when they are stationary unless you like yours in the shop. Learning how to properly use the equipment solves many problems.

There are good quality lenses, not zoom lenses, that can produce telephoto results without eating up available light that also weigh the same as the lens it replaces. Such items are expensive. Many prosumer camcorders have OPTICAL zooms approaching 20X that are also stabilized with exposure and shutter controls. Bought out of the back of a magazine from a good company like B&H, you can steal them at bargain prices.

 

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